![]() 'There's no line you can stick your finger through. 'What I'm trying to do now is not use too many words,' he said. In his liner notes for Travelin' Thru, Colin Escott writes, "Talking to journalist Matt Damsker about the sound of John Wesley Harding, Dylan said, 'I didn't know how to record the way other people were recording, and I didn't want to… I just didn't think all that production was necessary.' He also went for lyrical economy. He'd recorded Blonde On Blonde with a full-band in Nashville in February 1966 but, when it came time to record its follow-up in the fall of 1967, he opted for a simple trio-Dylan (guitar, vocals, harmonica), Charlie McCoy (bass) and Kenneth Buttrey (drums)-to create a sublime minimal sound. box set that included tons of Weve ranked the albums in Bob Dylans Bootleg Series. With contemporary pop culture becoming increasingly baroque, surreal and psychedelic in the wake of Dylan's 1965-66 cutting edge trilogy, Bringing It All Back Home/Highway 61 Revisited/Blonde On Blonde, the artist withdrew from public view following a motorcycle accident in July 1966. Bootleg concert downloads Totaly FREE bootleg music loops, samples. Disc Three closes with tracks recorded on with Grammy Award-winning bluegrass banjo legend Earl Scruggs for the PBS television special, "Earl Scruggs: His Family and Friends" (originally aired January 1971).ġ967 saw a profound and surprising transformation in Bob Dylan's musical evolution. ![]()
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